As cultural media—from magazines to novels to cinema—and cosmetics companies urged women to aspire to commercial standards of female perfection, beauty evolved as a goal to pursue rather than mere biological inheritance. The products and techniques that enabled women to embody society’s feminine ideal also taught them how to fashion their bodies into objects of desire and thus offered a subversive tool of self-expression.
By recognizing this new sense of empowerment, Grout also explores the French commercial beauty industry’s efforts to reconcile traditional standards of respectability with new ideas about female sexuality.
Grout draws on a wide range of primary sources—hygiene manuals, professional and legal debates about the right to fabricate and distribute “medicines,” advertisements for beauty products, and contemporary fiction and works of art—to explore how French women navigated changing views on femininity. Her seamless integration of gender studies with business history, aesthetics, and the history of medicine results in a textured and complex study of the relationship between the politics of womanhood and the politics of beauty.